jonathan

<h1>A lot of people have always had doubts about the artistic ability of</h1>

It’s happened, and everyone has quickly moved to solo careers, displaying what they brought to the table, to create Psquare and what made them so great in the first place. Mr P, with his media-friendly mien, great looks and the ability to spin a good story, appeared to be ahead in the game already. Even before he dropped his first record, everyone rooted for who essentially was the flashier half of Psquare.

Peter Okoye’s shine hasn’t diminished, but it’s starting to look a bit superficial. Just take a look at his solo recording discography, and you find samples from American music mixing with a dose of Nigerian originality to create hybrid records. The man has released three records, ‘, and ‘The numbers look good on them too, with the first two running into millions, and the most recent one almost at the 300,000 mark in just three days. Business is sure looking good.

But delve into the records, and you find the samples and bites off old American records simply staring you in the face.

‘Cool it down’, which is his first official release, has a sample. It takes the lines: “I say, take me there, I wanna go there, take me there, Let’s go there, take me to that great place of wonders and wayshens,” from Mya’s 1999 single, <a href="" id="06f22750-4bf5-5717-ab3b-9808bf8b7e87">‘Take me there’, </a>one of our old-time favourites which features Maze, and Blinky Blink, and was a soundtrack for The Rugrats Movie’.

Up next is ‘My way’, a record which samples its instrumentals from Mario Winans’ ‘, a 2003 song co-which features Diddy, and co-produced by Fugees. The single was a huge success worldwide, reaching #2 on Billboard’s Hot 100 and #1 in the UK Top 40. It remains Winan’s only commercial hit single to date.

The video for ‘My way’, has Peter condemned to a desert by a jilted lover. It conceptually borrows from Chris Brown’s ‘visuals. Peter Okoye has always had his key influences from the 90s and early 2000’s R&amp;B singers. From his dance patterns to his songcraft, he constantly infuses elements of other materials from this era into his craft.

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This was a core part of early Psquare, where they remade entire records to score hits. But time and the evolution of Nigerian pop music has ensured that they have had to tweak their craft. But with the split, Peter seems to have fallen back on old techniques to create future records.

Admittedly, these are his early days. Mr P, as a solo artist is still less than a year old, relying not on the strength of his artistry, but the fanbase which Psquare built over the years. He simply needs to grow himself fast, tweak his artistry and push his boundaries. Perhaps, we might have less of these records in the future. Everything else is there; the ability to pull a good dance move, the looks, and the goodwill. He needs to get the creative process right and surround himself with people who can mine depths of creativity to craft records.

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The main concern here is the limit on the window he has to impress and score his hits early. None of his records so far have created a dent in the scene. While much of the attention he has got has been from his media rounds, and the novel feeling of curiosity from fans who are still working on adjusting to him as a solo artist. But that can’t power him forever. He needs to actively provide them with great music to justify the followership on his solo journey.

For now, his originality is being called into question. How does he respond? Time will tell.

But sometimes, Gold isn’t always gold, and the shiniest things are just, well, shiny.

Mr P’s solo career so far is an imitation of old R&B American singers

<h1>South African all-male choir Ladysmith Black Mambazo, have won the Grammys for the fifth time with an anniversary album.</h1>

Ladysmith Black Mambazo first came to worldwide attention when Paul Simon enlisted the group for his 1986 album “Graceland,” a landmark work of world music fusion which revived the folk icon’s career and won the most prestigious Grammy for Album of the Year.

“Shaka Zulu,” one of their major breakthrough projects came the following year. In 2017, the group decided to re-record the “Shaka Zulu” album in tribute to the group’s founder Joseph Shabalala, who has retired and handed control to his four sons.

The sons said that the latest album, with younger singers on the same tunes, was also meant to honor earlier members of the sprawling ensemble who have since died.

Shabalala, 76, was raised in the apartheid era on a white farm in KwaZulu-Natal province. He began singing after being inspired by dreams which eventually took on Christian themes.

As he retired from recording, Shabalala created a foundation to promote isicathamiya singing to children.

The Recording Academy, which administers the top prizes in US music, has long showered love on Ladysmith Black Mambazo, which has been nominated 19 times. The group was also nominated Sunday for Children’s Album but did not win.

<a href="" id="868efb46-795f-53d5-a9ef-ed96af13e95f">Check out the complete Grammys 2018 winners list</a>

The ensemble took the Best World Music Album award for “Shaka Zulu Revisited: 30th Anniversary Collection.

South African band Ladysmith Black Mambazo wins it for the 5th time

The Nigerian dancehall act featured alongside Stonebwoy, Chubb Rock, Stylo G, Bunji Garlin, Dre Zion &amp; Jaheil on Morgan Heritage’s new “Avrekedabra” album.

“Avrekedabra” was nominated for the Best Reggae album award coming up against “” by Chronixx, “” by Common Kings, “” by J Boog and “” by Damian “Jr. Gong” Marley.

It lost, the category was won by the album “” by Damian “Jr. Gong” Marley.

If the album had won in its category at the 60th Grammy Awards which held on January 28, 2018, Timaya would have been the first Nigerian-based act with a Grammy.

<a href="http://www.pulse.ng/entertainment/music/tunji-ige-meet-the-only-nigerian-to-be-nominated-for-2018-grammy-awards-id7663320.html" id="0b3c5fc2-9fec-578b-a00d-d329283a47b9">Another Nigerian who also lost a Grammy this year is Tunji Ige.</a> The rapper is nominated as a producer on 'Location', a record by Khalid, which lost the "Best R&amp;B" award.

'Location' is the debut single by American singer Khalid. It was released on February 19, 2017, by Right Hand Music Group and RCA Records as the lead single from his debut studio album American Teen. The track was produced by Syk Sense, Tunji Ige, and Chris McClenney. The song has since gone Platinum.

Timaya has failed to win a Grammy Award, after losing out in his category.

Timaya loses out on award

<h1>While JAY-Z entered Sunday as the top nominee, it was Bruno Mars and Kendrick Lamar who left as the nights biggest winners.</h1>

Record of the Year:"Redbone" — Childish Gambino"Despacito" — Luis Fonsi &amp; Daddy Yankee featuring Justin Bieber"The Story Of O.J." — Jay-Z"HUMBLE." — Kendrick Lamar"24K Magic" — Bruno Mars -- WINNER

Album of the Year:"Awaken, My Love!" — Childish Gambino4:44 — Jay-ZDAMN. — Kendrick LamarMelodrama — Lorde<a href="" id="65f5e6db-b95e-5df1-93e1-2c9c236cbb02">24K Magic</a> — Bruno Mars -- WINNER

Song of the Year:"Despacito" — Ramón Ayala, Justin Bieber, Jason "Poo Bear" Boyd, Erika Ender, Luis Fonsi &amp; Marty James Garton, songwriters (Luis Fonsi &amp; Daddy Yankee Featuring Justin Bieber)"4:44" — Shawn Carter &amp; Dion Wilson, songwriters (Jay-Z)"Issues" — Benny Blanco, Mikkel Storleer Eriksen, Tor Erik Hermansen, Julia Michaels &amp; Justin Drew Tranter, songwriters (Julia Michaels)"1-800-273-8255" — Alessia Caracciolo, Sir Robert Bryson Hall II, Arjun Ivatury &amp; Khalid Robinson, songwriters (Logic Featuring Alessia Cara &amp; Khalid)"That’s What I Like" — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus &amp; Jonathan Yip, songwriters (Bruno Mars)-- WINNER

Best New Artist:Alessia Cara -- WINNERKhalidLil Uzi VertJulia MichaelsSZA

Best Pop Solo Performance:"Love So Soft" — Kelly Clarkson"Praying" — Kesha"Million Reasons" — Lady Gaga"What About Us" — P!nk"Shape Of You" — Ed Sheeran -- WINNER

Best Pop Duo/Group Performance:"Something Just Like This" — The Chainsmokers &amp; Coldplay"Despacito" — Luis Fonsi &amp; Daddy Yankee Featuring Justin Bieber"Thunder" — Imagine Dragons"Feel It Still" — Portugal. The Man -- WINNER"Stay" — Zedd &amp; Alessia Cara

Best Traditional Pop Vocal Album:Nobody But Me (Deluxe Version) — Michael BubléTriplicate — Bob DylanIn Full Swing — Seth MacFarlaneWonderland — Sarah McLachlan — (Various Artists) Dae Bennett, Producer -- WINNER

Best Pop Vocal Album:Kaleidoscope EP — ColdplayLust for Life — Lana Del ReyEvolve — Imagine DragonsRainbow — KeshaJoanne — Lady Gaga (Divide) — Ed Sheeran -- WINNER

DANCE/ELECTRONIC FIELD

Best Dance Recording:"Bambro Koyo Ganda" — Bonobo Featuring Innov Gnawa"Cola" — Camelphat &amp; Elderbrook"Andromeda" — Gorillaz Featuring DRAM"Tonite" — LCD Soundsystem -- WINNER"Line Of Sight" — Odesza Featuring WYNNE &amp; Mansionair

Best Dance/Electronic Album:Migration — Bonobo — Kraftwerk -- WINNERMura Masa — Mura MasaA Moment Apart — OdeszaWhat Now — Sylvan Esso

CONTEMPORARY INSTRUMENTAL FIELD

Best Contemporary Instrumental Album:What If — The Jerry Douglas BandSpirit — Alex HanMount Royal — Julian Lage &amp; Chris Eldridge — Jeff Lorber Fusion -- WINNERBad Hombre — Antonio Sanchez

Best Rock Performance:"You Want It Darker" — Leonard Cohen -- WINNER"The Promise" — Chris Cornell"Run" — Foo Fighters"No Good" — Kaleo"Go To War" — Nothing More

Best Metal Performance:"Invisible Enemy" — August Burns Red"Black Hoodie" — Body Count"Forever" — Code Orange"Sultan’s Curse" — Mastodon -- WINNER"Clockworks" — Meshuggah

Best Rock Song:"Atlas, Rise!" — James Hetfield &amp; Lars Ulrich, songwriters (Metallica)"Blood In The Cut" — JT Daly &amp; Kristine Flaherty, songwriters (K.Flay)"Go To War" — Ben Anderson, Jonny Hawkins, Will Hoffman, Daniel Oliver, David Pramik &amp; Mark Vollelunga, songwriters (Nothing More)"Run" — Foo Fighters, songwriters (Foo Fighters) -- WINNER"The Stage" — Zachary Baker, Brian Haner, Matthew Sanders, Jonathan Seward &amp; Brooks Wackerman, songwriters (Avenged Sevenfold)

Best Rock Album:Emperor Of Sand — MastodonHardwired…To Self-Destruct — MetallicaThe Stories We Tell Ourselves — Nothing MoreVillains — Queens Of the Stone Age — The War On Drugs -- WINNER

ALTERNATIVE FIELD

Best Alternative Music Album:Everything Now — Arcade FireHumanz — GorillazAmerican Dream — LCD SoundsystemPure Comedy — Father John Misty — The National -- WINNER

Best R&amp;B Performance:"Get You" — Daniel Caesar Featuring Kali Uchis"Distraction" — Kehlani"High" — Ledisi"That’s What I Like" — Bruno Mars -- WINNER"The Weekend" — SZA

Best Traditional R&amp;B Performance:"Laugh And Move On" — The Baylor Project"Redbone" — Childish Gambino -- WINNER"What I’m Feelin'" — Anthony Hamilton Featuring The Hamiltones|"All The Way" — Ledisi"Still" — Mali Music

Best R&amp;B Song:"First Began" — PJ Morton, songwriter (PJ Morton)"Location" — Alfredo Gonzalez, Olatunji Ige, Samuel David Jiminez, Christopher McClenney, Khalid Robinson &amp; Joshua Scruggs, songwriters (Khalid)"Redbone" — Donald Glover &amp; Ludwig Goransson, songwriters (Childish Gambino)"Supermodel" — Tyran Donaldson, Terrence Henderson, Greg Landfair Jr., Solana Rowe &amp; Pharrell Williams, songwriters (SZA)"That’s What I Like" — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus &amp; Jonathan Yip, songwriters (Bruno Mars) -- WINNER

Best Urban Contemporary Album:Free 6LACK — 6LACK"Awaken, My Love!" — Childish GambinoAmerican Teen — KhalidCtrl — SZA — The Weeknd -- WINNER

Best R&amp;B Album:Freudian — Daniel CaesarLet Love Rule — Ledisi — Bruno Mars -- WINNERGumbo — PJ MortonFeel the Real –Musiq Soulchild

Best Rap Performance:"Bounce Back" — Big Sean"Bodak Yellow" — Cardi B"4:44" — Jay-Z"HUMBLE." — Kendrick Lamar -- WINNER"Bad And Boujee" — Migos Featuring Lil Uzi Vert

Best Rap/Sung Performance:"PRBLMS" — 6LACK"Crew" — Goldlink Featuring Brent Faiyaz &amp; Shy Glizzy"Family Feud" — Jay-Z Featuring Beyoncé"LOYALTY." — Kendrick Lamar Featuring Rihanna -- WINNER"Love Galore" — SZA Featuring Travis Scott

Best Rap Song:"Bodak Yellow" — Dieuson Octave, Klenord Raphael, Shaftizm, Jordan Thorpe, Washpoppin &amp; J White, songwriters (Cardi B)"Chase Me" — Judah Bauer, Brian Burton, Hector Delgado, Jaime Meline, Antwan Patton, Michael Render, Russell Simins &amp; Jon Spencer,songwriters (Danger Mouse Featuring Run The Jewels &amp; Big Boi)"HUMBLE." — Duckworth, Asheton Hogan &amp; M. Williams II, songwriters (Kendrick Lamar) -- WINNER"Sassy" — Gabouer &amp; M. Evans, songwriters (Rapsody)"The Story Of O.J." — Shawn Carter &amp; Dion Wilson, songwriters (Jay-Z)

Best Rap Album:4:44 — Jay-Z — Kendrick Lamar -- WINNERCulture — MigosLaila’s Wisdom — RapsodyFlower Boy — Tyler, The Creator

Best Country Solo Performance:"Body Like A Back Road" — Sam Hunt"Losing You: –Alison Krauss"Tin Man" — Miranda Lambert"I Could Use A Love Song" — Maren Morris"Either Way" — Chris Stapleton -- WINNER

Best Country Duo/Group Performance:"It Ain’t My Fault" — Brothers Osborne"My Old Man" — Zac Brown Band"You Look Good" — Lady Antebellum"Better Man" — Little Big Town -- WINNER"Drinkin’ Problem" — Midland

Best Country Song:"Better Man" — Taylor Swift, songwriter (Little Big Town)"Body Like A Back Road" — Zach Crowell, Sam Hunt, Shane McAnally &amp; Josh Osborne, songwriters (Sam Hunt)"Broken Halos" — Mike Henderson &amp; Chris Stapleton, songwriters (Chris Stapleton) -- WINNER"Drinkin’ Problem" — Jess Carson, Cameron Duddy, Shane McAnally, Josh Osborne &amp; Mark Wystrach, songwriters (Midland)"Tin Man" — Jack Ingram, Miranda Lambert &amp; Jon Randall, songwriters (Miranda Lambert)

Best Country Album:Cosmic Hallelujah — Kenny ChesneyHeart Break — Lady AntebellumThe Breaker — Little Big TownLife Changes — Thomas Rhett — Chris Stapleton -- WINNER

Best New Age Album:Reflection — Brian EnoSongVersation: Medicine — India.Arie — Peter Kater -- WINNERSacred Journey Of Ku-Kai, Volume 5 — KitaroSpiral Revelation — Steve Roach

Best Improvised Jazz Solo:"Can’t Remember Why" — Sara Caswell, soloist"Dance Of Shiva" — Billy Childs, soloist"Whisper Not" — Fred Hersch, soloist"Miles Beyond" — John McLaughlin, soloist -- WINNER"Ilimba" — Chris Potter, soloist

Best Jazz Vocal Album:The Journey — The Baylor ProjectA Social Call — Jazzmeia HornBad Ass and Blind — Raul MidónPorter Plays Porter — Randy Porter Trio With Nancy King — Cécile McLorin Salvant -- WINNER

Best Jazz Instrumental Album:Uptown, Downtown — Bill Charlap Trio — Billy Childs -- WINNERProject Freedom –Joey DeFrancesco &amp; The PeopleOpen Book — Fred HerschThe Dreamer Is the Dream — Chris Potter

Best Large Jazz Ensemble Album:MONK’estra Vol. 2 — John BeasleyJigsaw — Alan Ferber Big Band — Christian McBride Big Band -- WINNERHomecoming — Vince Mendoza &amp; WDR Big Band CologneWhispers on the Wind — Chuck Owen And The Jazz Surge

Best Latin Jazz Album:Hybrido – From Rio To Wayne Shorter — Antonio AdolfoOddara — Jane Bunnett &amp; MaquequeOutra Coisa – The Music Of Moacir Santos — Anat Cohen &amp; Marcello GonçalvesTípico — Miguel Zenón — Pablo Ziegler Trio -- WINNER

GOSPEL/ CONTEMPORARY CHRISTIAN MUSIC FIELD

Best Gospel Performance/Song:"Too Hard Not To" — Tina Campbell"You Deserve It" — JJ Hairston &amp; Youthful Praise Featuring Bishop Cortez Vaughn"Better Days" — Le’Andria"My Life" — The Walls Group"Never Have To Be Alone" — CeCe Winans -- WINNER

Best Contemporary Christian Music Performance/Song:"Oh My Soul" — Casting Crowns"Clean" — Natalie Grant"What A Beautiful Name" — Hillsong Worship -- WINNER"Even If" — MercyMe"Hills And Valleys" — Tauren Wells

Best Gospel Album:Crossover: Live From Music City — Travis GreeneBigger Than Me — Le’AndriaClose — Marvin SappSunday Song — Anita Wilson — CeCe Winans -- WINNER

Best Contemporary Christian Music Album:Rise — Danny GokeyEchoes (Deluxe Edition) — Matt MaherLifer — MercyMeHills and Valleys — Tauren Wells — Zach Williams -- WINNER

Best Roots Gospel Album:The Best Of the Collingsworth Family – Volume 1 — The Collingsworth FamilyGive Me Jesus — Larry CordleResurrection — Joseph Habedank — Reba McEntire -- WINNERHope for All Nations — Karen Peck &amp; New River

Best Latin Pop Album:Lo Único Constante — Alex CubaMis Planes Son Amarte — JuanesAmar Y Vivir En Vivo Desde La Ciudad De México, 2017 — La Santa CeciliaMusas (Un Homenaje Al Folclore Latinoamericano En Manos De Los Macorinos) — Natalia Lafourcade — Shakira -- WINNER

Best Latin Rock, Urban or Alternative Album:Ayo — Bomba EstéreoPa’ Fuera — C4 Trío &amp; Desorden PúblicoSalvavidas De Hielo — Jorge DrexlerEl Paradise — Los Amigos Invisibles — Residente -- WINNER

Best Regional Mexican Music Album (Including Tejano):Ni Diablo Ni Santo — Julión Álvarez Y Su Norteño BandaAyer Y Hoy — Banda El Recodo De Cruz LizárragaMomentos — Alex Campos — Aida Cuevas -- WINNERZapateando En El Norte — Humberto Novoa, producer (Various Artists)

Best Tropical Latin Album:Albita — AlbitaArt of the Arrangement — Doug Beavers — Rubén Blades Con Roberto Delgado &amp; Orquesta -- WINNERGente Valiente — Silvestre DangondIndestructible — Diego El Cigala

AMERICAN ROOTS MUSIC FIELD

Best American Roots Performance:Killer Diller Blues — Alabama Shakes -- WINNERLet My Mother Live — Blind Boys Of AlabamaArkansas Farmboy — Glen CampbellSteer Your Way — Leonard CohenI Never Cared For You — Alison Krauss

Best American Roots Song:"Cumberland Gap" — David Rawlings"I Wish You Well" — The Mavericks"If We Were Vampires" — Jason Isbell And The 400 Unit -- WINNER"It Ain’t Over Yet" — Rodney Crowell Featuring Rosanne Cash &amp; John Paul White"My Only True Friend" –Gregg Allman

Best Americana Album:Southern Blood — Gregg AllmanShine On Rainy Day — Brent CobbBeast Epic — Iron &amp; Wine — Jason Isbell And The 400 Unit -- WINNERBrand New Day — The Mavericks

Best Bluegrass Album:Fiddler’s Dream — Michael Cleveland — The Infamous Stringdusters -- WINNER (TIE)Original — Bobby OsborneUniversal Favorite — Noam Pikelny — Rhonda Vincent And The Rage -- WINNER (TIE

Best Traditional Blues Album:Migration Blues — Eric BibbElvin Bishop’s Big Fun Trio — Elvin Bishop’s Big Fun TrioRoll And Tumble — R.L. BoyceSonny &amp; Brownie’s Last Train — Guy Davis &amp; Fabrizio Poggi — The Rolling Stones -- WINNER

Best Contemporary Blues Album:Robert Cray &amp; Hi Rhythm — Robert Cray &amp; Hi RhythmRecorded Live In Lafayette — Sonny Landreth— Taj Mahal and Keb' Mo' -- WINNERGot Soul — Robert Randolph &amp; The Family BandLive From The Fox Oakland — Tedeschi Trucks Band

Best Folk Album: — Aimee Mann -- WINNERSemper Femina — Laura MarlingThe Queen Of Hearts — Offa RexYou Don’t Own Me Anymore — The Secret SistersThe Laughing Apple — Yusuf / Cat Stevens

Best Regional Roots Music Album:Top Of the Mountain — Dwayne Dopsie And The Zydeco HellraisersHo’okena 3.0 — Ho’okena — Lost Bayou Ramblers -- WINNERMiyo Kekisepa, Make A Stand [Live] — Northern CreePua Kiele — Josh Tatofi

Best Reggae Album:Chronology — ChronixxLost In Paradise — Common KingsWash House Ting — J Boog — Damian "Jr. Gong" Marley -- WINNERAvrakedabra — Morgan Heritage

WORLD MUSIC FIELD

Best World Music Album:Memoria De Los Sentidos — Vicente AmigoPara Mi — BuikaRosa Dos Ventos — Anat Cohen &amp; Trio Brasileiro — Ladysmith Black Mambazo -- WINNERElwan — Tinariwen

CHILDREN’S FIELD

Best Children’s Album:Brighter Side — Gustafer Yellowgold— Lisa Loeb -- WINNERLemonade — Justin RobertsRise Shine #Woke — Alphabet RockersSongs Of Peace &amp; Love For Kids &amp; Parents Around The World — Ladysmith Black Mambazo

SPOKEN WORD FIELD

Best Spoken Word Album (Includes Poetry, Audio Books &amp; Storytelling):Astrophysics For People In A Hurry — Neil Degrasse TysonBorn To Run — Bruce SpringsteenConfessions Of A Serial Songwriter — Shelly PeikenOur Revolution: A Future to Believe In (Bernie Sanders) — Bernie Sanders And Mark Ruffalo — Carrie Fisher -- WINNER

Best Comedy Album: — Dave Chappelle -- WINNERCinco — Jim GaffiganJerry Before Seinfeld — Jerry SeinfeldA Speck Of Dust — Sarah SilvermanWhat Now? — Kevin Hart

MUSICAL THEATER FIELD

Best Musical Theater Album:Come From Away — Ian Eisendrath, August Eriksmoen, David Hein, David Lai &amp; Irene Sankoff, producers; David Hein &amp; Irene Sankoff, composers/lyricists (Original Broadway Cast Recording)— Ben Platt, principal soloist; Alex Lacamoire, Stacey Mindich, Benj Pasek &amp; Justin Paul, producers; Benj Pasek &amp; Justin Paul, composers/lyricists (Original Broadway Cast Recording) -- WINNERHello, Dolly! — Bette Midler, principal soloist; Steven Epstein, producer (Jerry Herman, composer &amp; lyricist) (New Broadway Cast Recording)

MUSIC FOR VISUAL MEDIA FIELD

Best Compilation Soundtrack For Visual Media:Baby Driver — (Various Artists)Guardians Of the Galaxy Vol. 2: Awesome Mix Vol. 2 — (Various Artists)Hidden Figures: The Album — (Various Artists) — (Various Artists) -- WINNERMoana: The Songs — (Various Artists)

Best Score Soundtrack For Visual Media:Arrival — Jóhann Jóhannsson, composerDunkirk — Hans Zimmer, composerGame Of Thrones: Season 7 — Ramin Djawadi, composerHidden Figures — Benjamin Wallfisch, Pharrell Williams &amp; Hans Zimmer, composers — Justin Hurwitz, composer -- WINNER

Best Song Written For Visual Media:"City Of Stars" — Justin Hurwitz, Benj Pasek &amp; Justin Paul, songwriters (Ryan Gosling &amp; Emma Stone)"How Far I’ll Go" — Lin-Manuel Miranda, songwriter (Auli’i Cravalho) -- WINNER"I Don’t Wanna Live Forever (‘Fifty Shades Darker’)" — Jack Antonoff, Sam Dew &amp; Taylor Swift, songwriters (Zayn &amp; Taylor Swift)"Never Give Up" — Sia Furler &amp; Greg Kurstin, songwriters (Sia)"Stand Up For Something" — Common &amp; Diane Warren, songwriters (Andra Day Featuring Common)

COMPOSING/ ARRANGING FIELD

Best Instrumental Composition:"Alkaline" — Pascal Le Boeuf, composer (Le Boeuf Brothers &amp; JACK Quartet)"Choros #3" — Vince Mendoza, composer (Vince Mendoza &amp; WDR Big Band Cologne)"Home Free (For Peter Joe)" — Nate Smith, composer (Nate Smith)"Three Revolutions" — Arturo O’Farrill, composer (Arturo O’Farrill &amp; Chucho Valdés) -- WINNER"Warped Cowboy" — Chuck Owen, composer (Chuck Owen And The Jazz Surge)

Best Arrangement, Instrumental or A Cappella:"All Hat, No Saddle" — Chuck Owen, arranger (Chuck Owen And The Jazz Surge)"Escapades For Alto Saxophone And Orchestra From Catch Me If You Can" — John Williams, arranger (John Williams) -- WINNER"Home Free (For Peter Joe)" — Nate Smith, arranger (Nate Smith)"Ugly Beauty/Pannonica" — John Beasley, arranger (John Beasley)"White Christmas" — Chris Walden, arranger (Herb Alpert)

Best Arrangement, Instruments and Vocals:"Another Day Of Sun" — Justin Hurwitz, arranger (La La Land Cast)"Every Time We Say Goodbye" — Jorge Calandrelli, arranger (Clint Holmes Featuring Jane Monheit)"I Like Myself" — Joel McNeely, arranger (Seth MacFarlane)"I Loves You Porgy/There’s A Boat That’s Leavin’ Soon For New York" — Shelly Berg, Gregg Field, Gordon Goodwin &amp; Clint Holmes, arrangers (Clint Holmes Featuring Dee Dee Bridgewater And The Count Basie Orchestra)"Putin" — Randy Newman, arranger (Randy Newman) -- WINNER

Best Recording Package: — Claudio Roncoli &amp; Cactus Taller, art directors (Magín Díaz) -- WINNER (TIE)Mura Masa — Alex Crossan &amp; Matt De Jong, art directors (Mura Masa)Pure Comedy (Deluxe Edition) — Sasha Barr, Ed Steed &amp; Josh Tillman, art directors (Father John Misty) -- WINNER (TIE)Sleep Well Beast — Elyanna Blaser-Gould, Luke Hayman &amp; Andrea Trabucco-Campos, art directors (The National)Solid State — Gail Marowitz, art director (Jonathan Coulton)

Best Boxed Or Special Limited Edition Package:Bobo Yeye: Belle Epoque In Upper Volta — Tim Breen, art director (Various Artists)Lovely Creatures: The Best Of Nick Cave And The Bad Seeds (1984 – 2014) — Tom Hingston, art director (Nick Cave And The Bad Seeds)May 1977: Get Shown The Light — Masaki Koike, art director (Grateful Dead) — Lawrence Azerrad, Timothy Daly &amp; David Pescovitz, art directors (Various Artists) -- WINNERWarfaring Strangers: Acid Nightmares — Tim Breen, Benjamin Marra &amp; Ken Shipley, art directors (Various Artists)

Best Album Notes:Arthur Q. Smith: The Trouble With The Truth — Wayne Bledsoe &amp; Bradley Reeves, album notes writers (Various Artists)Big Bend Killing: The Appalachian Ballad Tradition — Ted Olson, album notes writer (Various Artists)The Complete Piano Works Of Scott Joplin — Bryan S. Wright, album notes writer (Richard Dowling)Edouard-Léon Scott De Martinville, Inventor Of Sound Recording: A Bicentennial Tribute— David Giovannoni, album notes writer (Various Artists) — Lynell George, album notes writer (Otis Redding) -- WINNERWashington Phillips And His Manzarene Dreams — Michael Corcoran, album notes writer (Washington Phillips)

HISTORICAL FIELD

Best Historical Album:Bobo Yeye: Belle Epoque In Upper Volta — Jon Kirby, Florent Mazzoleni, Rob Sevier &amp; Ken Shipley, compilation producers; Jeff Lipton &amp; Maria Rice, mastering engineers (Various Artists)The Goldberg Variations– The Complete Unreleased Recording Sessions June 1955 — Robert Russ, compilation producer; Matthias Erb, Martin Kistner &amp; Andreas K. Meyer, mastering engineers (Glenn Gould) — Robert Russ, compilation producer; Martin Kistner &amp; Andreas K. Meyer, mastering engineers (Leonard Bernstein)Sweet As Broken Dates: Lost Somali Tapes From The Horn Of Africa — Nicolas Sheikholeslami &amp; Vik Sohonie, compilation producers; Michael Graves, mastering engineer (Various Artists)Washington Phillips And His Manzarene Dreams — Michael Corcoran, April G. Ledbetter &amp; Steven Lance Ledbetter, compilation producers; Michael Graves, mastering engineer (Washington Phillips)

PRODUCTION, NON-CLASSICAL FIELD

Best Engineered Album, Non-Classical:Every Where Is Some Where — Brent Arrowood, Miles Comaskey, JT Daly, Tommy English, Kristine Flaherty, Adam Hawkins, Chad Howat &amp; Tony Maserati, engineers; Joe LaPorta, mastering engineer (K.Flay)Is This The Life We Really Want? — Nigel Godrich, Sam Petts-Davies &amp; Darrell Thorp, engineers; Bob Ludwig, mastering engineer (Roger Waters)Natural Conclusion — Ryan Freeland, engineer; Joao Carvalho, mastering engineer (Rose Cousins)No Shape — Shawn Everett &amp; Joseph Lorge, engineers; Patricia Sullivan, mastering engineer (Perfume Genius) — Serban Ghenea, John Hanes &amp; Charles Moniz, engineers; Tom Coyne, mastering engineer (Bruno Mars) -- WINNER

Producer Of the Year, Non-Classical:Calvin HarrisGreg Kurstin -- WINNERBlake MillsNo I.D.The Stereotypes

Best Remixed Recording:"Can’t Let You Go (Louie Vega Roots Mix)" — Louie Vega, remixer (Loleatta Holloway)"Funk O’ De Funk (SMLE Remix)" — SMLE, remixers (Bobby Rush)"Undercover (Adventure Club Remix)" — Leighton James &amp; Christian Srigley, remixers (Kehlani)"A Violent Noise (Four Tet Remix)" — Four Tet, remixer (The xx)"You Move (Latroit Remix)" — Dennis White, remixer (Depeche Mode) -- WINNER

SURROUND SOUND FIELD

Best Surround Sound Album:— Jim Anderson, surround mix engineer; Darcy Proper, surround mastering engineer; Jim Anderson &amp; Jane Ira Bloom, surround producers (Jane Ira Bloom) -- WINNERKleiberg: Mass For Modern Man — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Eivind Gullberg Jensen &amp; Trondheim Symphony Orchestra And Choir)So Is My Love — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Nina T. Karlsen &amp; Ensemble 96)3-D The Catalogue — Fritz Hilpert, surround mix engineer; Tom Ammermann, surround mastering engineer; Fritz Hilpert, surround producer (Kraftwerk)Tyberg: Masses — Jesse Brayman, surround mix engineer; Jesse Brayman, surround mastering engineer; Blanton Alspaugh, surround producer (Brian A. Schmidt, Christopher Jacobson &amp; South Dakota Chorale)

The 2018 Grammys is holding at Madison Square Garden in New York, today. Check out the full list of winners.

Check out full list of winners on music's biggest night

Africa’s hottest rapper, Cassper Nyovest, agrees with M.I Abaga that the Hip-hop movement of South Africa is leading the continent.

The rapper, <a href="http://www.pulse.ng/entertainment/music/cassper-nyovest-interview-m-i-abaga-filling-stadiums-id7852772.html" id="b2b338d5-0594-5bee-8b45-e1699a2053ee">in an interview with Pulse,</a> states that M.I Abaga who in 2017, called for local rappers to make more ‘Hip-hop’ music via his controversial ‘You rappers should fix up your life’, is right.

“Yes, South African Hip-hop is in the forefront of African Hip-hop in general. It might not be as popular as it is in South Africa in Nigeria. But I know for a fact that the rappers from Nigeria are kinda unknown in SA,” he says. “If we talk about crossing over, I know that a lot of people in Nigeria know about my music. I know that in Kenya and Ghana it’s the same thing.

“I’m not just talking about me, I’m talking about the movement.  is big in Ghana, but are there other rappers who are as big as Sarkodie from Ghana? The South African Hip-hop movement is big across, also in London, New York…we are out there performing in different countries.”

Cassper admits that this topic is controversial. But believes that this is the truth.

“Me saying that might offend people here. They might feel that I’m taking shots at Nigerian music. But that’s not the deal. If we are to discuss in terms of numbers and appeal across the world, it’s just the way it is.”

On Making 'Strict Hip-hop'

On M.I Abaga’s call to Nigerian rappers to infuse more rap into their music, Cassper disagrees in part but also agrees to certain aspects of the song.

“If I decide to rap on a beat like Davido’s ‘Fall’, which is more like Afro-pop, is it not Hip-hop? I don’t know, I’m not the one who came up with a set of rules. For me, it’s still Hip-hop because it is a rapper. I can decide to rap on anything. I just use it as a beat and rap on it. It doesn’t have to be a certain kind of beat.

“At the end of the day, it’s each to his own. If M.I feels like that’s his opinion, that’s his opinion. For me, anyone can rap in any language that is dope. If you say it’s Hip-hop, then it is Hip-hop.”

I ask him about the popular trend in Nigeria where rappers tweak their artistry to become singers. Cassper says “It’s none of my business.” Although, he also shares an important point: “I don’t think rappers must not sing. If you want to sing, you could sing. But if you are a rapper, we still need to hear you rap. You can’t sing all the time. We have to hear you rap because you need to rap for us to call you a rapper. If you sing all the time that means you are a singer now.”

On his 10 million album units claim

In December 2017, <a href="http://www.pulse.ng/entertainment/music/cassper-nyovest-has-sold-10-million-albums-id7715186.html" id="6119caf8-c37e-597c-8804-6f9bfeb94daa">Nyovest received certifications </a>from the Recording Industry of South Africa (RISA) for selling over 10 million album equivalents. This figure includes streams, digital and physical downloads, caller ringback tunes and everything else he had sold since he first dropped a record.

“Me saying that might offend people here. They might feel that I’m taking shots at Nigerian music. But that’s not the deal." - Cassper Nyovest.

‘M.I Abaga is right, South African Hip-hop is leading in Africa', rapper says

The <a href="" id="84571e58-45a6-594b-87e2-bc14804bb68c">2017 MTV VMAs</a> just wrapped up, and we now know who won big during music’s huge night!

The show featured so many great performances by Demi Lovato, Miley Cyrus, Ed Sheeran, Kendrick Lamar, and more, and had lots of touching and poignant moments about racism, sexism, beauty standards, the current political climate, and more.

Katy Perry acted as host for the evening, and also took the stage to perform.

See the full list of winners below…

VIDEO OF THE YEARKendrick Lamar – “HUMBLE.” – WINNERBruno Mars – “24K Magic”Alessia Cara – “Scars To Your Beautiful”DJ Khaled ft. Rihanna &amp; Bryson Tiller – “Wild Thoughts”The Weeknd – “Reminder”

ARTIST OF THE YEARBruno MarsKendrick LamarEd Sheeran – WINNERAriana GrandeThe WeekndLorde

BEST NEW ARTISTKhalid – WINNERKodak BlackSZAYoung M.AJulia MichaelsNoah Cyrus

BEST COLLABORATIONCharlie Puth ft. Selena Gomez – “We Don’t Talk Anymore”DJ Khaled ft. Rihanna &amp; Bryson Tiller – “Wild Thoughts”D.R.A.M. ft. Lil Yachty – “Broccoli”The Chainsmokers ft. Halsey – “Closer”Calvin Harris ft. Pharrell Williams, Katy Perry &amp; Big Sean – “Feels”Zayn &amp; Taylor Swift – “I Don’t Wanna Live Forever (Fifty Shades Darker)” – WINNER

BEST POPShawn Mendes – “Treat You Better”Ed Sheeran – “Shape of You”Harry Styles – “Sign Of The Times”Fifth Harmony ft. Gucci Mane – “Down” – WINNERKaty Perry ft. Skip Marley – “Chained To The Rhythm”Miley Cyrus – “Malibu”

BEST HIP HOPKendrick Lamar – “HUMBLE.” – WINNERBig Sean – “Bounce Back”Chance the Rapper – “Same Drugs”D.R.A.M. ft. Lil Yachty – “Broccoli”Migos ft. Lil Uzi Vert – “Bad &amp; Boujee”DJ Khaled ft. Justin Bieber, Quavo, Chance the Rapper &amp; Lil Wayne – “I’m The One”

BEST DANCEZedd and Alessia Cara – “Stay” – WINNERKygo x Selena Gomez – “It Ain’t Me”Calvin Harris – “My Way”Major Lazer ft. Justin Bieber and MØ – “Cold Water”Afrojack ft. Ty Dolla $ign – “Gone”

BEST ROCKColdplay – “A Head Full of Dreams”Fall Out Boy – “Young And Menace”Twenty One Pilots – “Heavydirtysoul” – WINNERGreen Day – “Bang Bang”Foo Fighters – “Run”

BEST FIGHT AGAINST THE SYSTEM – Everyone in this category was honored with the win for their efforts to fight injustice.Logic ft. Damian Lemar Hudson – “Black SpiderMan”The Hamilton Mixtape – “Immigrants (We Get the Job Done)”Big Sean – “Light”Alessia Cara – “Scars To Your Beautiful”Taboo ft. Shailene Woodley – “Stand Up / Stand N Rock #NoDAPL”John Legend – “Surefire”

BEST CINEMATOGRAPHYKendrick Lamar – “HUMBLE.” – WINNERImagine Dragons – “Thunder”Ed Sheeran – “Castle On The Hill”DJ Shadow ft. Run The Jewels – “Nobody Speak”Halsey – “Now or Never”

BEST DIRECTIONKendrick Lamar – “HUMBLE.” – WINNERKaty Perry ft. Skip Marley – “Chained To The Rhythm”Bruno Mars – “24K Magic”Alessia Cara – “Scars To Your Beautiful”The Weeknd – “Reminder”

BEST ART DIRECTIONKendrick Lamar – “HUMBLE.” – WINNERBruno Mars – “24K Magic”Katy Perry ft. Migos – “Bon Appetit”DJ Khaled ft. Rihanna &amp; Bryson Tiller – “Wild Thoughts”The Weeknd – “Reminder”

BEST VISUAL EFFECTSKendrick Lamar – “HUMBLE.” – WINNERA Tribe Called Quest – “Dis Generation”KYLE ft. Lil Yachty – “iSpy”Katy Perry ft. Skip Marley – “Chained To The Rhythm”Harry Styles – “Sign Of The Times”

BEST CHOREOGRAPHYKanye West – “Fade” – WINNERAriana Grande ft. Nicki Minaj – “Side To Side”Kendrick Lamar – “HUMBLE.”Sia – “The Greatest”Fifth Harmony ft. Gucci Mane – “Down”

BEST EDITINGFuture – “Mask Off”Young Thug – “Wyclef Jean” – WINNERLorde – “Green Light”The Chainsmokers ft. Halsey – “Closer”The Weeknd – “Reminder”

Lil Uzi Vert - ''XTour Llif3'' - WINNER

Here is the complete list of winners at the 2017 MTV Video Music Awards.

Check out the complete list of winners

It’s the 21 album for Wenger &amp; The Little Technicians who are seeking to enjoy commercial and critical success again, after their negative reception of their last outing.

21 years is a long time for any band to be together, and although they have had moments of success together, and one classic album in 2004 titled “The Invincibles,” they are currently seen as a band who are past their prime, retaining their core fan base, but never doing enough to top the charts.

With new project "We Are The Arsenal", Wenger and his band provide a masterclass in heartbreak tunes, sad ballads and failed attempts to fly.

Hit tracks such as ‘Always Fourth’, and ‘Europa Nights’ possess a familiar tale of woe. But you could find reassurance and a little brightness seeping through on ‘Contracts.’ ‘I Sead It’ is a bulldozing, experimental muscular piece, while ‘Waiting For Alexis’, with its ups and downs is a hair-pulling, jigsaw of sounds, throwing you into unnerving territory. Frankly, you just want the song to end, so you could be done and over it.

The slow jam "Let me assist you" has bass guitarist, Ozil in his element, as he strums his instrument, and dictates the pace of the project, a rare light in the production. Although he is out of place and out of tune on “Big Nights,” another song with a pop promise. The music is always great, but it ultimately frustrates in its inconsistent theme, bringing whelming unhappiness and regret to all who sign up for a listen.

In the end, you the listener, would ask yourself, “What am I truly getting from this project? Is it worth my time and my money? Should I move on to the new school rock stars?

The answer is personal. Only you can make the decision.

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If your favorite football clubs dropped albums for the new season, this would be the review

Wenger & The Little Technicians – “We Are The Arsenal”

In 2014, Wizkid released what is regarded critically as a let-down album. Although “Ayo (Joy)” was commercially successful, but critic and fans weren’t exactly gracious. Too many dance records and filler tracks made many blast the work from end to end.

So when he announced “Sounds from the Other Side” project in 2015, fans were cautious but optimistic. Described by Wizkid as a project in which he attempts to “fuse the sound with artists from right here (USA), with my local producers back home,” it was difficult to know what to expect from the release.

Wizkid has grown from his last project. He is operating on a bigger project, and catering to global audiences now. He has a record deal with Sony Music Entertainment which requires him to outgrow the confines of African music and take on an inclusive fan base.

After multiple delays, Starboy’s “Sounds from the Other Side” is finally here, and it’s safe to say there’s a new direction on this project. At 10 tracks, the project is concise and it shows a coherent vibe, when compared to its predecessor.

After tweaking his sound with Caribbean dance records and singles, Wizzy  goes all out on “Sounds from the Other Side.” With songs like ‘African Bad gyal’ and ‘Come closer’, he also introduces elements of the Nigerian sound to U.S. crowds.

At 40-minutes long, “Sounds from the Other Side” is surprisingly cohesive. Through the mixtape’s 10 tracks, Wizkid weaves in and out of Afrobeat, EDM, R&amp;B, House and dancehall. If the singer’s next album is anything like his mixtape, he may finally have another “Superstar” under his belt. Check out the three best songs from “Sounds from the Other Side” below.

A solo run, Wizkid takes on Afrobeat, blending it with a faint Latino flavour to bring home one of the most ‘popping’ ode to the African woman. He flows in English and pidgin, delivering a record that hits you slowly, with each extra listen unwrapping a renewed feeling of appreciation.

“All For Love” ft Bucie

Wizkid relationship with House music has been a fruitful one, with 2014’s ‘In my bed’ smashing commercial acceptance across the continent. He returns this time with a richer record featuring South African R&amp;B and House singer Bucie. Over repetitive instrumentals and drums, he duets with her to create a record that is satisfying with every bounce.

“African Bad Gyal” ft Chris Brown

If you lack energy and dance moves, avoid this track. It’s a storm, carefully curated and packaged as an audio file. Produced by Sarz, Wizkid and Chris Brown provides dance parties across the globe with a record that will be a DJ’s secret weapon. There’s verve in the beats, beauty in the lyrics, and fire in its soul.

heck out the three best songs from “Sounds from the Other Side” below.

3 best songs from singer’s “Sounds From The Other Side” Mixtape

The reason why Kiss Daniel and his label mate Sugarboy do not participate in collaborations with other artists have been revealed.

Kiss Daniel and Sugarboy who are signed to G-Worldwide Entertainment have never been guests on any song outside the record label.

The situation, which is a rare in the Nigerian music industry, has been questioned by fans, music enthusiasts, the media, and music industry experts.

But there’s a new and official explanation for it. In a statement released to Pulse, CEO of G-Worldwide Entertainment, Festus Ehimare also known as Emperor Geezy, has disclosed his reason for taking this strategy.

According to Geezy, the no-collaboration policy is a business decision designed to benefit his company and his signed artists.

“I have listened to, read and watched various on-air personalities, entertainment journalists and the odd industry professional voice their concerns on the “refusal” of G-Worldwide to allow artistes on its roster collaborate with, or feature other artistes outside the fold on their music.

This has been whispered, said to my face and “authoritatively revealed” many times that I feel it is important that I address the issue once and for all.

First, I must say that it is laudable of our fans and critics to voice their opinions where they feel we have an advantage to explore but are not leveraging. For this, I must say a heartfelt thanks to you.

Now to the matter at end; it is a moot point to say that the Nigerian music industry has grown to a point where our artists are gaining international acceptance and recognition. So far, a lot of hard work has gone into this process, and I personally believe that with more effort, Nigerian music is poised to become a major music “product” globally.

I grew up listening to Michael Jackson, Fela, Oliver de Coque, Osita Osadebe, King Sunny Ade and so many others, and when I look at how music was created and marketed then, I see that these men, beyond being such amazing creatives, put a lot of effort into creating unique identities that created a certain mystique about them; helping to drive increased followership.

Today what it requires to break an artiste into the market and possibly achieve limelight is huge, and as modern realities have come to show us: money rules the day. This of course means that there is a growing need for any serious player in the music industry to look for innovative ways to sell their art.

My own experience has shown that money alone cannot suffice; rather what is required is a mix of talent, hard work, considerable resources and most importantly the ability to think and execute radical strategies to retain a hold in the market. It is on this principle that I have built g-worldwide, and it is on this that we as an entertainment company stand.

We will take no credit for what the music industry has become today, our only focus is on working hard to reward the trust and support our loyal fans have bestowed on us. On giving out value.  We believe as a company that our artists can work hard enough to put themselves in the spotlight without having to leverage on features and collaborations.

We understand that this is a risky move but remain convinced that if this can be achieved, we will be able to take credit for having set the pace in the Nigerian music industry. Granted that collaborations in the industry bring colour and variety to the end product, but our approach at this time is to grow stronger and richer in value as a unit.

As an entrepreneur I know the risks involved in investing in the music business and will do all I can to minimize these risks. For those who assume that our structure is not good enough, I would humbly suggest that you invest in the career of one of the countless young talents out there and anchor your business on principles you believe in as we have done and let time and fate decide whose approach will stand the test of time.

As for us, we intend to concentrate our energy on creating and releasing great music such as “Sofa” by Kiss Daniel and the “Believe” album recently released by Sugarboy for our fans the world over. The features and collaborations are wonderful opportunities which will come at the right time."

Signed: Festus Ehimare (Emperor Geezy) for G-Worldwide Entertainment

jonathan

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